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< 139. Project Destiny
141. Lurkers at Sunlight's Edge >

140. A Death in the Family

Rating Votes
10
72%
109
9
18%
27
8
5%
7
7
3%
5
6
1%
2
5
1%
2
4
0%
0
3
0%
0
2
0%
0
1
0%
0
Average Rating
9.5
Votes
152
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User Rating:
8
Plot Rating:
7
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8
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7
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Reviewed By: YorickReview Date: 2/4/17 8:21 am
0 out of 3 found this review helpful.

Far too much exposition needed in the 4th episode. A well told story shouldn't need that. That's not to say I didn't enjoy it. One of Sylvesters better releases
From the Reviewer:
User Rating:
10
Plot Rating:
9
Acting Rating:
10
Replay Rating:
10
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10
Has Prerequisite(s):
Yes
Reviewed By: TCar96Review Date: 5/27/16 1:39 pm
4 out of 4 found this review helpful.

Believe the hype. Death in the Family is a whopper of a writing achievement from Mr. Hall and makes well worth the hefty number of previous releases necessary for listening. Without following the Project Forge story, the true impact of DITF is lost - likewise I'd advise following Evelyn's adventures and perhaps 45, for some extra context.
Without engaging in plot spoilers, DITF pursues a unique structure, exploring facets of our leads in heartbreaking depths - simultaneously pushing forward a very 'timey wimey' plot. Rather than jarring, these two aspects interweave beautifully, and for the sheer mechanics working away beneath the surface, the plot flows along nicely and whilst certainly requiring some effort on the part of the listener, isn't impenetrable.
From heartwrentching gut punches, to shameless continuity massaging and an inter-temporal-spacial bending plot, DITF is a masterful example of why Doctor Who, when firing on all cylinders, is superlative entertainment.
From the Reviewer:
User Rating:
10
Plot Rating:
10
Acting Rating:
9
Replay Rating:
10
Effects Rating:
9
Has Prerequisite(s):
Yes
Reviewed By: kfb2014Review Date: 2/25/15 6:55 pm
3 out of 4 found this review helpful.

Quite possibly this is genius, and, for me this required several listens however, the plot is not straight forward, it makes quite the largest amount use of the ability of the Doctor or his companions to be able to travel in time and space. The engine of the story is the pickup from the previous story Project Destiny, where, things go slightly bad for the Doctor meeting his dead self. We get to understand, and I use the term in the loosest sense the Doctor's ability to use and in some respect abuse his abilities, and his companion's time lines both from past and future, and , creating, sub time lines which will ultimately allow the Doctor to survive. ACE has a line in this of how the Doctor, and the companions have to make choices which are not always the easiest for anyone or themselves. I do not want to give too much away, but I will admit that for me Sylvester McCoy, Philip Oliver, Sophie Aldred and the late and great Maggie Stables. We also get to hear what might be Maggie parting shot as any Doctors companion. It is incredibly detailed and almost clinically constructed writing ironically the ideology of the use of words and there meaning is the ultimate crux of this tale. This will and is going to be a very difficult act to follow. For once the ending of this felt like an ending.

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Reviewed By: carl05Review Date: 4/24/13 8:38 am
2 out of 3 found this review helpful.

Great, great story. Among many other aspects, I love the tablet, which comes across as an updated and fairly hilarious version of ORAC from Blake's 7. But so many great things going on: a fantastic and totally satisfying conclusion to various threads. Written by one of the best young writers in the UK!