Reviewed By: adamelijah
Review Date: 6/16/15 5:34 am
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"The Last Act" brings Roger Llewellyn's long running Sherlock Holmes one man play to audio. The story finds a reflective and somber Holmes reflecting on his life and career after Watson's funeral. It's an emotional and occasionally heartbreaking performance as Holmes reflects on his friend and his career. "You never appreciate the best things, the best people until they're gone." Of course, not every moment is somber. There are humorous moments as Holmes will reflect on one of his friend's oddities or on Lestrade's unremarkable career that saw him never rise above Inspect.
The play covers a variety of ground. From "The Abbey Grange," to "The Speckled Band," "The Final Problem," and "The Empty House" to "The Hound of the Baskervilles," and many more, Holmes offers his reflections on his cases and it's a Tour de Force performance.
I enjoyed the second half far less as it offered insights into Holmes' dark secrets including his little discussed childhood. On one hand, this explained Holmes being merciful in one particular case. On the other, there's a certain modern conceit that tries to explain everything anyone does as a result of some childhood trauma to provide motivation which can be seen in superhero fiction where so many characters origins are being rewritten reflect that sort of trauma. And while that can play a role in people's lives. It becomes somewhat monotonous in fiction when no one ever does anything good, noble, or heroic a parent was killed or was abusive, or some other trauma occurred to explain it.
I also didn't like the way Holmes' drug use was addressed. In the books, Watson claims to have "weened him off" cocaine. However, the play insists that Holmes' use continued just unknown to Watson and it leads the play into a dour place. While some would argue that this is more realistic than the books (which removed the cocaine habit as it became far more socially unacceptable) and it might be clever to undermine audience expectations by moving from downbeat to depressing, I wasn't pleasantly surprised by the turn.
Still, the play is well-written even if I have issues with the tone, Llewellyn's performance as Holmes (and twelve other characters) is pitch perfect and thoroughly engaging. He captures Holmes as a man trying to come to terms with the greatest loss in his life as a lifetime of emotional restrain begins to ebb away. I only wish the play had a more satisfactory conclusion.